My mother and I decided to watch a movie this weekend so as to, well, decompress.
We caught Original Sin, starring Antonio Banderas and Angelina Jolie, yesterday afternoon.
This film is an onscreen adaptation of Cornell Woolrich’s novel Waltz into Darkness.
In Original Sin, the audience is not meant to know who exactly the characters are and what are the actual motives behind their actions.
The primary enigma in the film is Angelina Jolie’s character, Julia, who is actually Bonnie. She kept on switching loyalties and one could only hope to guess what was brewing in her mind.
The film’s drawing force is the layers upon layers of deception that the characters pile upon themselves and each other.
These layers serve as masks – sometimes flimsy, sometimes opaque – of their true selves and what each of them really want and need.
The movie’s conclusion is a bit anti-climactic. However, when I thought about it at length, Love does not need a reason for what it decides to do.
Below is the skinny on Original Sin:
Can love release our true self?
A wealthy Cuban coffee exporter, Luis Vargas (Antonio Banderas), advertises for a US wife. Julia Russell (Angelina Jolie), from Delaware, sends her photograph, but the woman who steps off the ship is much lovelier. Luis marries her immediately and gives in to love.
But Julia may not be who she claims: first a private eye, Walter Downs (Thomas Jane), shows up on behalf of Julia’s sister, then the sister herself. By now, Luis has given his wife access to bank accounts, and when she runs with his cash, he pursues her with the help of Downs – perhaps to kill her.
Pursuit may be part of a con game as well, and Julia’s past explains some, if not all, of what remains of the story.